Game Review: Band Frontman Jason Williamson Takes On Character in Critical Look at Ecstasy Generation Era

Helmed by Bristol sound co-founder the musician-producer, this scabrous if undernourished first film turns a sceptical eye on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Darkly Funny Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David eager to get away; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Sensibility

There is only one key story turn, but it results in a hilariously staged rampage on the forest trails that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game releases in UK and Irish theaters from 17 November.

Andrea Kim
Andrea Kim

A tech journalist and futurist with over a decade of experience covering emerging technologies and their societal impacts.